TV
10:12 AM EDT on Monday, April 19, 2004
The meatballs hit the fan on the new season of The Restaurant,
premiering tonight at 10 p.m. on NBC. It's amazing to watch and makes
for some fine, entertaining television that leaves you hungry for more.
In its first season, every frame of the reality show about the opening
of Rocco DiSpirito's new restaurant felt made for TV. Producers had the
final say on the hiring of waitstaff, and would-be diners secured
reservations only after promising to create some drama at dinner. All
this created a distinct lack of drama.
Not so with the new episodes about life at DiSpirito's New York City
restaurant, which are building toward a date on Court TV. There's big
trouble between the celebrity chef and his financial backer Geoffrey
Chodorow.
We know it ends badly because two months ago, Chodorow filed suit
against DiSpirito, charging that financial mismanagement resulted in the
loss of more than $600,000 for the first seven months of operation. Less
than two weeks ago, DiSpirito filed a $6 million countersuit saying
Chodorow's company stripped him of any say in the restaurant that bears
his name.
The events leading to these lawsuits were captured by cameras as they
documented life at the restaurant six months after the first season
finale.
Executive producer Mark Burnett, of Survivor and The Apprentice fame,
characterizes the result as "train-wreck television" but it's really a
classic food fight between partners.
The lines are quickly and clearly drawn in the first two of the six
episodes that comprise the season and end with a two-hour finale on May
24.
Chodorow wants to know why Rocco's is the busiest of his 20-plus
restaurants, and yet the only one losing money. The show gave the
restaurant an incredible boost and it became a destination for tourists
visiting Manhattan last summer and fall.
He asks why the chef spent $9,000 on 5,000 business cards and questions
the $400 weekly bill for new, manicured plants asking, 'Don't they last
more than a week?' "
Those costs are just the tip of the financial iceberg. Staffing budgets
will be looked at as well.
He's also seen bringing in a new chef from Italy to work in the kitchen
with his staff, including his mother, who's still making the big
meatballs. Even the employees complain they never see DiSpirito.
Chodorow quickly amasses a corporate team of consultants to swarm the
restaurant and turn it around financially. He calls DiSpirito's staff
together to explain his plan of action and his motives. He expresses his
wish to save the restaurant. DiSpirito is among the missing, a fact that
doesn't go unnoticed by his employees.
Big man in Big Apple
What is obvious but not explained on the show is that Chodorow is a big
player in the New York restaurant scene. He talks about how many he owns
but the viewer doesn't know that his businesses include ventures with
heavyweights including French chef Alain Ducasse and hotelier Ian
Schrager. Still, his experience and business savvy come across. He plays
as a professional committed to saving his investment.
DiSpirito, on the other hands, looks pouty, immature and unbusinesslike.
It seems as if he'd rather whine from his office across the street, or
complain to his girlfriend in bed. He shows no motivation to take any
action to save his restaurant. His visits there appear to last no more
than five minutes at a time.
The DiSpirito we see is more interested in being a celebrity than a
chef. And he looks exhausted, not quite one of those People magazine's
sexiest men alive that we remember from last year.
Can we get some water?
The cast of supporting characters, from a new bartender to an
out-of-control intern, promises to add some color that was sorely
lacking in the first season. Still missing is table service that pleases
customers. When Chodorow's team of consultants comes for dinner, no one
refills their drinks, even though this seems like a table that should be
well-tended.
The scene is also set for DiSpirito's mother to fight for her son's good
name. As Chodorow, and even his wife, assure her of their intentions,
her eyes say she doesn't believe it.
What you won't see is the overdone product placement -- American Express
and Coors Brewing Co. -- that was such a distraction last year. The
show's opening and titles are also new to reflect the absence of those
products.
The only greater absence on The Restaurant is of the star chef himself.
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