Actor and writer Robb Dimmick has compiled a history of black gay men in Rhode Island, curating a new exhibit at the John Hay Library, “Black Lavender 2.”

The Providence Journal / Bob Thayer

PROVIDENCE — For nearly a century, gay black men have contributed to the state’s political, academic and cultural life.

But their efforts haven’t always been recognized.

“People always ask me, ‘Have things gotten better for you, the blacks?’ ” said author James Baldwin at a 1985 reading at the First Baptist Church in Providence. “I survived it. That’s the best I can say.”

A new exhibit at the John Hay Library examines the lives and accomplishments of more than 30 gay black men with Rhode Island connections, including the late Bald-win.

Curator Robb Dimmick tells the stories of these men — many of them local artists, actors, public servants and scholars — through letters, photographs, playbills and even State House laws, items he has collected over a 30-year span.

“My mission is to bring to light the black gay community, because it is sort of invisible,” said the 54-year-old actor, theater director and collector.

Some, like House Majority Leader Gordon D. Fox, are openly gay. But many others prefer to remain in the background. Just before the Nov. 5 opening of Dimmick’s exhibit, “Black Lavender 2,” one participant withdrew his name.

“It is such a rich community and it is not connected at this point. Our hope is this presentation will spark a new discussion among gay black men.”

Dimmick became interested in gay black literature in the mid-1980s, after he took a job as a book scout for Ray Rickman, the founder of Cornerstone Books, a rare and used bookstore in Providence. A year later Dimmick joined the store as a business partner.

At Cornerstone, the two men — Rickman, then a black state representative, and Dimmick, the white star of a one-man show about Abraham Lincoln — specialized in black literature at a time when many stores did not have an African American section. “If they did,” said Dimmick, “it was in the back, on the floor, in a dark, dank corner. But we were right on the cutting edge.”

James Baldwin visited the store. So did poet Maya Angelou and Pulitzer Prize-winning civil rights historian Taylor Branch. A frequent customer was Henry Louis Gates Jr., the director of the W.E.B. Du Bois Institute for African and African American Research at Harvard and the author of the PBS series, “African American Lives.”

“It was really a vibrant and exciting period in the book business,” said Dimmick.

But not every group appeared in Cornerstone’s inventory.

“I knew there were black gay writers, but where were their books? That became the start of my hunt,” said Dimmick, who started collecting newspaper clippings, obits, programs, fliers, posters and pamphlets — anything connected to black gay men — in the mid-1970s.

Often, such items are thrown away after an event, said Dimmick.

Some of that material found its way into the first “Black Lavender” exhibit in 2005, which focused on black writers.

But Dimmick wanted to do a second show that centered on Rhode Island.

At the Nov. 5 opening, Rhode Island College English Prof. Daniel M. Scott III talked about his oral history project.

Gay black men in Rhode Island, he said, struggle to fit into two worlds: the small, church-centered African American community and the larger white world, a tight-knit Catholic community. For many, “it gets very complicated,” Scott said.

The men in the “Black Lavender 2” exhibit are connected to the state in various ways. Some, like Baldwin, visited only once –– but sparked a round of soul searching. Others have studied at Brown University or the Rhode Island School of Design before embarking on careers elsewhere.

Others in the exhibit include the painter Robert Dilworth, who chairs the University of Rhode Island’s Department of Art and Art History, Trinity Rep actor Joe Wilson Jr. and Michael Evora, executive director of the Rhode Island Commission for Human Rights.

“The big surprise is that black gay men exist in the state and have flourished,” said Dimmick.

The exhibit, funded by the Rhode Island Council for the Humanities, is open weekdays through Jan. 8, from 9 a.m. to 5 p.m. at the John Hay Library in Providence.

pdavis@projo.com