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A toe-tapping tribute to America and country music

The stars belt it out in an overly ambitious, but feel-good film on the IMAX big screen

09:01 AM EDT on Friday, April 16, 2004

BY MICHAEL JANUSONIS
Journal Arts Writer


Some of the biggest stars of country music -- past and present -- are part of the IMAX big-screen Our Country, a toe-tapping but overly ambitious film that attempts to celebrate both the history of the music and America itself. And all in just 37 minutes, including the credits.

When it pauses, Our Country can be quite wonderful, as in a sequence in which Dolly Parton begins singing "Turn, Turn, Turn" on an old front porch of a mountain home by herself, but is soon joined by the likes of Guy Clark, Radney Foster, Kathy Mattea, Roger McGuinn, Leigh Nash and Kim Richey, who appear in turn seemingly from nowhere to accompany her in song.

But the film tries to cram too much information into its scant running time. Our Country, produced by the Grand Ole Opry, tries to make it seem that just about everyone in America is a country music fan and that this is the music that shaped a nation. Rather than dealing only in country scenes, there's plenty of ancient newsreel footage of big-city America and, on the history side, everything from Martin Luther King and the civil rights struggle to Richard Nixon's resignation and the collapse of the World Trade Center!

While it pays homage to the fact that the origins of country music lie in Celtic traditions brought here by Irish and Scottish and English immigrants (Our Country opens in Ireland), it tries to give the impression that immigrants of all persuasions contributed to country music.

Some of the best moments feature the country singers themselves, from grainy newsreel footage of Jimmie Rodgers and Roy Acuff, to the slicker TV shows hosted by Porter Wagoner to today's MTV-inspired glitz, with Jo Dee Messina in tight leather riding across the arid West on a motorcycle and belting out "My Own Kind of Hat" on a craggy mountaintop. There are nods to Hank Williams, singing in a smoky roadhouse, and Patsy Cline, taking part in an Ed Sullivan-style TV show. Alan Jackson channels Williams on "Hey, Good Lookin' "; Martina McBride does it for Cline on "Walkin' After Midnight."

There's rough old footage of Elvis and Jerry Lee Lewis and Johnny Cash in their heyday, and polished stuff with such stars as Loretta Lynn, Alabama and Lyle Lovett today. One of the most effective moments -- "Will the Circle Be Unbroken" -- is staged at the beginning and end of Our Country at Ryman Auditorium in Nashville, the original home of the Grand Ole Opry, with the likes of Patty Loveless, Ricky Skaggs, Pam Tillis, Trisha Yearwood, Rhode Island's Billy Gilman and many more joining in song.

One very well done sequence begins with Marty Stuart singing "City of New Orleans" while riding atop a coach of a steam locomotive. The songs continue -- "Rawhide/Foggy Mountain Breakdown" -- in the coach car and later on the railroad station platform with fiddlers and banjo players, including Earl Scruggs.

A major quibble: of the dozens of singers in the film, few are identified. It would have been nice if each had had an onscreen tag line for those in the audience who aren't huge country fans. But then again, would anyone who is not a huge country fan be in the audience in the first place? And would a tag line have been an insult to the country stars and their fans?

Our Country is designed as a feel-good-about-America film. And when it breaks into song -- as Lee Ann Womack does at the end riding the paddle-wheel showboat General Jackson and singing Willie Nelson's "Living in the Promiseland" from its deck -- it's a very good feeling.

***1/2

Our Country

Starring: Dolly Parton, Lyle Lovett, Loretta Lynn, Alabama, Charlie Daniels, Vince Gill, Patty Loveless, Kathy Mattea, Pam Tillis, Trisha Yearwood, Dwight Yoakam, Billy Gilman.

Rated: Not rated, contains nothing offensive.

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