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A killer sequel
Tarantino uses irony to cut the violence in the thrill-a-minute Kill Bill Vol. 2 09:04 AM EDT on Friday, April 16, 2004
The wait was worth it. Kill Bill Vol. 2 may not have quite the body
count of the first film, in which Thurman's Bride took on a restaurant
full of masked Japanese gangsters with her trusty sword. But it does
have Tarantino's same time-shifting style of editing, which he perfected
in Pulp Fiction; the same sense of jaundiced irony; even tighter
situations for her to escape from and a knockout surprise ending that
yanks the rug out from both the Bride and the audience. (At first I
feared that people who hadn't seen the first film -- and it's new on
video this week -- might not pick up on the potency of Vol. 2's
last-reel twist. On second thought, however, there's an explanatory line
at the very start of the film and, hopefully, everyone will be paying
close attention.)
This time, Thurman's character has an actual name, albeit a strange one
-- Beatrix Kiddo. Come to think of it, that's not much stranger than her
nickname -- Black Mamba -- which also is the name of a super-poisonous
snake that makes a memorable, darting appearance in Vol. 2.
Thurman, who trained long and hard to perfect the martial arts maneuvers
and swordplay skills required for the two films, not to mention the
rigors of the punishing fights she takes part in, owes as much to Pearl
White as she does to Bruce Lee. White was the 1914 star of The Perils of
Pauline, a thrilling continued-next-week movie serial in which Pauline
faced a string of life-threatening dangers just before each chapter's
fade-out.
In Vol. 2, Thurman undergoes the same kind of
how's-she-gonna-get-out-of-this? situations, most excitingly when
Beatrix is buried alive in a sequence reminiscent of the old
American-International B-pictures Tarantino so loves, such as Premature
Burial. Beatrix's premature burial, however, includes a long flashback
sequence involving her martial arts schooling with a white-robed,
long-white-haired, bushy-browed master (Gordon Liu), whose training is
about to make a life-or-death difference.
Beatrix is a never-give-up character who wins us over completely with
her mix of brains, beauty and foolhardy determination. Along the way we
will encounter not only a premature burial and a slithering snake, but a
return visit to the wedding massacre from the first film, plus eyeballs
plucked from heads, kickings, pummelings, swordfights and numerous
shootings with everything from assault rifles to pistols to a shotgun
and a poison dart.
There's also the return of Daryl Hannah as a babe with a grudge and a
patch over one eye, Michael Madsen as a dimwitted ne'er-do-well who
thinks he's about to score $1 million and, most stunningly, David
Carradine as Bill, the title character who was unseen except for a hand
in Vol. 1.
Long-haired, wizened, calm, reflective, coddling yet viperish,
Carradine's slightly lisping Bill is a snake charmer who can turn in a
second from smiling adversary to icy killer.
Vol. 2 opens with a 15-minute black-and-white sequence that revisits the
wedding massacre of Vol. 1, this time including vital information left
out of the first film. This is where we first lay eyes on Bill, the
leader of a gang of cold-blooded assassins and the character whom
Beatrix is trying to escape via a new life with a simpleminded man in El
Paso.
Because even people who haven't seen the first film will know what's
coming, this seemingly innocent meeting is fraught with tension,
however. When Beatrix kisses Bill, trying to smooth things over, he does
not kiss her back. The sequence builds and builds until, like much of
the rest of Vol. 2, Tarantino slams us with a payoff moment, something
he manages to do right to the end.
Kill Bill Vol. 2 is galloping filmmaking, rich in action and adventure,
but even more importantly, in solid, mesmerizing characters.
****
Kill Bill Vol. 2
Starring: Uma Thurman, David Carradine, Daryl Hannah, Michael Madsen,
Gordon Liu.
Rated: R, contains violence, profanity.
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