Jeff Bridges, left, and Simon Pegg play magazine journalists in How to Lose Friends and Alienate People.

MGM / Kerry Brown

The problem with How to Lose Friends and Alienate People is that the movie wants to be your friend and it doesn’t want to alienate you.

Simon Pegg plays Sidney Young, a British tabloid journalist who is recruited by a U.S. Vanity Fair-style magazine to write profiles of celebrities in the States. Sidney, who doesn’t believe in coddling his subjects and has gotten into more than a few drunken scrapes at parties, is taken aback by the softball approach he’s asked to use for his new job.

Sidney is based on Toby Young, who wrote the memoir that led to the movie. But although the book named names, specifically that of eccentric Vanity Fair editor Graydon Carter, screenwriter Peter Straughan and director Robert B. Weide opt for a gentler, fictionalized approach with the movie (Jeff Bridges, having a high old time as Sidney’s new boss, plays “Clayton Harding”).

Celebrity journalism is certainly a prime target for mocking, but the filmmakers seem more interested in turning this into a Nick Hornby-style romantic comedy, with Sidney doing the flirtation dance with his sometime aghast colleague Alison (Kirsten Dunst, giving one of her more awkward performances). This punch-pulling is a little surprising coming from Weide, whose credits include Larry David’s HBO squirm-com Curb Your Enthusiasm, a show that really could be titled How to Lose Friends and Alienate People.

Pegg redeems this with a performance that manages to be rude and ingratiating, although it might disappoint fans of his more aggressive comedies Shaun of the Dead and Hot Fuzz. And Megan Fox proves she’s more than just Transformers eye candy with her amusing riff on the self-absorbed starlet.

But this is a movie that plays it too safe, one that wants to give a shoulder rub when it should be jabbing you in the side.

**How to Lose Friends and Alienate People

Cast: Simon Pegg, Kirsten Dunst, Jeff Bridges, Megan Fox

Rated: R, strong language, nudity, drug use