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By Sheila Lennon
'
Bottom-up' journalism from the pros

On vacation here: The Newport Bridge, spanning Narragansett Bay between Jamestown and Newport, towers over sailboats and the Rose Island lighthouse. Providence is just at the head of the bay, a half-hour from Jamestown.

I'm off till Oct. 7. Blogging may happen at my personal site, where there are no deadlines.

September 27, 2002 - Last week's weblog


my passport photo
about me
personal site

Blogroll

Jim Romenesko's Media News
Jorn Barger's Robot Wisdom
Doc Searls
Dave Winer
Cory Doctorow
Travelers Diagram
Ye Olde Phart
Blog Sisters
JD Lasica
Susanna Cornett
Dan Gillmor
Paul Andrews
Dave Copeland
Ft. Boise
The Magnificent Melting Object
Wayne Robins
Behind the news
Blogcritics
Tom Poe
Memepool
Slashdot
Shell Extension City
Daypop Top 40 Links
( blogdex )
Metafilter
peterme.com
FollowMe Here
kalilily time
Burningbird
Judy Watt
Obscure Store
plep
wood s lot
The Shifted Librarian
New World Disorder
CyberJournalist: News Weblogs
p h o t o g r a p h i c a . o r g
Mirror project

n e w s  w e  c a n  u s e
Microcontent News
E-Media Tidbits
Phil Agre
I Want Media
Through the Viewfinder

Cool tool coming: Journalist-blogger Ed Cone writes,

Public Knowledge is a year-old group focused on issues that often come down to keeping the Internet from being totally dominated by corporate power. Start-up funding came from a foundation created by the founders of Red Hat. In January, Public Knowledge plans to launch a free, software-based tool that will make it easy to contact members of Congress, other parts of government, and industry by phone, fax, email, or telegram.

Communication with our elected officials is likely to grow exponentially next year.

But that wasn't the point of Cone's story. This is: "As the only opponent of the Berman-Coble P2P bill to speak at yesterday's hearings, Gigi Sohn got a grilling from Howard Berman. 'He took every pot shot at me he could,' says Sohn, president of an advocacy group called Public Knowledge."

(The bill would permit denial-of-service attacks and computer invasions of those merely suspected of copyright violations.)

Cone lives in Howard Coble's (R-NC) district, where Coble is opposed by Libertarian blogger Tara Sue Grubb. And Cone has some mildly good news:

Public input has already made an impact on this issue, and there is reason to believe that more pressure could bring results.

Link to this item | Comment

Wi-Fi stretches its boundaries: At News.com,

Communications equipment maker Proxim became the latest company to sell high-powered Wi-Fi networks that travel long distances, essentially providing buyers with an "ISP in a box," the company's Chief Executive, Jonathan Zakin, said this week.

These versions of wireless networks using the Wi-Fi, or 802.11b, standard create a wireless zone of up to 12 miles long, far beyond the usual 300-foot-radius range that Wi-Fi typically achieves, Zakin said.

Overkill for use inside a home, where most Wi-Fi networks are now found, the long-range Wi-Fi gear from Proxim and others is meant for small Web service providers. It lets them beam long-range signals outside, particularly to sell broadband access in rural areas where DSL (digital subscriber lines) or cable broadband service haven't reached, Zakin said.

...Proxim's product, priced from about $2,000 to $6,000, will include all the equipment necessary to become a small-scale network provider. The price differs depending on the quality of equipment and add-ons that a buyer may want. Each kit can serve about 250 customers.

Couldn't a rural community just buy one?

(After vacation, I'm going to try to sort out all the 802.11 speeds and reaches, and see what shakes out.)
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Stay of execution for Internet radio:

AP: Sensenbrenner suggests giving Internet broadcasters an extra six months before new fees.

Rep. F. James Sensenbrenner Jr. (R-Wis.), chairman of the House Judiciary Committee introduced the bill yesterday and plans to try to push it through the House next week.

More at Radio And Internet Newsletter (RAIN).
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More than sobering: The Case for Regime Change by syndicated editorial cartoonist Ted Rall. I can see this becoming a play -- what if another nation brought the U.S. before the U.N. for threatening pre-emptive strikes on Iraq, and more? Rall's op-ed imagines such a speech:

Warning: This is not a real news story; it is a dramatization
NEW YORK-- Making the case for United Nations ( news - web sites) intervention against the United States, Iranian President Mohammad Khatami ( news - web sites) told the organization yesterday that military action will be "unavoidable" unless the U.S. agrees to destroy its weapons of mass destruction. ...

(Iranian President Mohammad) Khatami asked the U.N. to set a deadline for Bush to step down in favor of president-in-exile Al Gore, the legitimate winner of the 2000 election, the results of which were subverted through widespread voting irregularities and intimidation. "We favor not regime change, but rather restoration and liberation," he said. In addition, Khatami said, the U.S. must dismantle its weapons of mass destruction, guarantee basic human rights to all citizens and agree to abide by international law or "face the consequences."

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Give that bot a right brain: Over at Google Labs, there's a glossary in the works.

I'd just gotten an email from journalist and cultural critic Philip Leggiere, whose new blog, Noosphere Blues, draws its cool name and focus from that Teilhard de Chardin concept, commonly rendered as "the part of the world of life that is created by man's thought and culture," and most elegantly as "the web of consciousness."

So I plugged "noosphere" into Google's glossary. The dry result: "Human collective thought forms." Pour concrete in 'em.
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Get it all out there: Dan Gillmor writes that, in the future, when someone interviews him by email, he'll blog a transcript, too. It's movement!
Link to this item | Comment

Comings and goings:

Back: Daypop Top 40 (felled by a full disk while its creator vacationed in Europe); The Shifted Librarian (computer problems had Jennie Levine on the ropes); wood s lot (after deep-thought blogger Mark Wood lost access to a borrowed computer, Euan Semple at The Obvious took up a PayPal collection and has so far raised $515 towards a computer of Wood's own. Meanwhile, Wood has borrowed another computer and is back up).

Moved: Behind the News, by Elisabeth (Liz) Donovan, news research editor at the Miami Herald, still works, but Liz has moved on to a blog format with a new name and address, Infomaniac: Behind the News. She's off now, but set to return Wednesday.

Gone: Me. To a wedding, a marathon housecleaning, and a week without an alarm clock. Next posts will be Oct. 7.

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Zen garden secrets revealed? BBC reports, "A team at Kyoto University in Japan... used computer analysis to study one of the most famous Zen gardens in the world, at the Ryoanji Temple in Kyoto, to discover why it has a calming effect on the hundreds of thousands of visitors who come every year.The researchers found that the seemingly random collection of rocks and moss on this simple gravel rectangle formed the outline of a tree's branches." Try the National Geographic version.

When they draw branches I can see a tree...
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September 26, 2002

The modest journalist: Dave Copeland, a blogger and business reporter at the Pittsburgh Tribune-Review, writes, "Keyboard cowboy: I'm the first subject/victim in the Last Page's "Why We Blog" series. Mostly a Q&A with some very flattering commentary from Page thrown in, so I really can't blame her if I come off as a jackass."

But he doesn't. Check this out:

A truly revolutionary blog, in my mind, would be written by someone who is as wired as any reporter but with enough balls/lack of restrictions to write what those reporters will not and cannot. No one is doing that, as far as I can tell, on a local level (in Pittsburgh and other cities). Some people try on a national level, but no one gets truly wired into the national scene in a way a person can get wired into their local community. The problem is, once you give up the paycheck at a newspaper, you give up that access. (I know people who have stuck with journalism until they were angry heart attack candidates just because they didn't want to give up the ability to be in the know. It seems as if knowledge and gossip are as addictive as any drug.)

Great stuff, and there's lots more of it.
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Trashlog: "Collecting a piece of trash for the internet every day." Judy Watt calls it "a found art kind of blog, from The Netherlands."
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Write your own Bush speech: A hilarious use of Flash: Drag words (like Magnetic Poetry) and sound effects into the hotspot and play them back.

Scaryduck has won the Guardian contest for Best British Blog. Some things don't translate.
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The Blog Twinning Project asks people to tell it which blogs they consider to be similar, and tallies results. Pairs of blogs with lots of mutual votes are declared "twinned."
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Another piece of "The Great Workaround": Dig Internet Radio the P2P way, by Howard Wen. via Doc Searls
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RIAA leaks revisited: Responding to skepticism from JD Lasica and Doc, Ben Silverman says the Hilary Rosen RIAA email is real, but it's old. The editor of DotComScoop.com sent me the following email in the wake of yesterday's item:

The email is in fact legitimate, though I can't say how I got it. The funny thing is that it's a year old and has been on my site since I wrote a story based on the contents of the email and a RIAA internal legal memo. That was way back on Oct. 3, 2001 (though the story isn't in my archives, you'll have to use Archive.org to find it).

Somehow the email made its way back into the public blogging sphere again today, but it's old and basically just a historical document considering [all] that's happened in the digital music space in the past year. And as far as I know, she never had the meeting and the email wasn't well received (um,again, I can't say how I got it).

Archive.org is The Wayback Machine, which is searchable by URL. Here's the results page for http://dotcomscoop.com.

Sure enough, the Oct. 9, 2001 headlines point to the item:

(Exclusive: RIAA internal memos detail new war on peer-to-peer networks Wednesday, October 3, 2001 @ 8:33AM EDT by: editor
Story at www.dotcomscoop.com/riaa1003.html.

Links therein (unfortunately, white type on white backgrounds, so you'll have to select it all to read them) lead to the alleged Rosen email, and Silverman's story (Internal Memos Outline RIAA's Strategy To Launch Offensive Against Peer-To-Peer Networks), which contains the following:

Dotcom Scoop contacted the RIAA and at their request, forwarded the association unedited copies of the memos.

"We are not confirming whether these are real emails. But if anyone thinks that the music community is sitting idly by while these services threaten our industry and our technology partners they are wrong," a spokesperson for the RIAA told Dotcom Scoop.

There is also a link to RIAA's internal analysis and litigation strategy with regards to FastTrack, MusicCity and Grokster, which was allegedly distributed internally on September 25, 2001. (This is the same memo Dave Winer blogged yesterday.)

JD Lasica got a far more detailed, slightly scolding email from Silverman, and retracts his suspicions. Doc hasn't reported whether his estimate of Hilary Rosen has been adjusted to fit the reality that the email probably is legit.

(Here's a photo of both JD and Doc together.)
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September 25, 2002

 

Petty bites the hand...: Tom Petty's new CD, The Last DJ will be in stores Oct. 8, but the title track has been getting radio play already -- which is ironic, given its opening lyrics:

Well you can't turn him into a company man,
you can't turn him into a whore,
and the boys upstairs just don't understand any more.

Well the top brass don't like him talking so much
and he won't play what they say to play
and he don't want to change what don't need to change

There goes the last dj who plays what he wants to play
and says what he wants to say, hey hey hey
And there goes your freedom of choice,
there goes the last human voice,
there goes the last dj

Well some folks say they gonna hang him so high
'cause you just can't do what he did,
there's some things you just can't put in the minds of those kids

As we celebrate mediocrity, all the boys upstairs want to see
how much you'll pay for what you used to get for free
There goes the last dj...

Listen to the song, Windows Media Player only; if the link fails, click it at Warner Brothers Records.

According to Billboard,

Tom Petty and the Heartbreakers will perform the entire album Oct. 15 at Los Angeles' Grand Olympic Auditorium, a show that will be broadcast live via satellite to 38 U.S. movie theaters and simulcast on North American radio stations. The small arena event will find the group backed by a full orchestra...

The list of cities and radio stations that will carry the live broadcast are expected this week. Details will be announced via Petty's official Web site. Tickets will be distributed through local radio outlets.

No word yet whether Lindsey Buckingham, who does background vocals on the CD, will join the concert. Tom Petty & The Heartbreakers comprise Tom Petty (vocals, guitar, ukelele, piano, bass); Scott Thurston (guitar, lap steel guitar, ukelele); Mike Campbell (guitar, bass); Benmont Tench (piano, organ, keyboards); Ron Blair (bass); Steve Ferrone (drums).

Also from Billboard: Artists Turn Out For Label Accounting Hearing
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RIAA leaks? Speaking of "how much you'll pay for what you used to get for free," Dave Winer blogs leaked RIAA documents:

Great email from the RIAA's Hillary Rosen to execs at Yahoo, Real, AOL and Microsoft, on how to crack down on the millions of Morpheus and Kazaa users. Is this for real?

Ben Silverman, the publisher of Dotcom Scoop, says the Rosen email is real, and part of a confidential internal memo that outlines the RIAA's legal strategy re Kazaa, Music City and Grokster.

Doc Searls doesn't think the email is authentic "because I don't believe Hilary Rosen would do this kind of relationship-building by email, much less in (an) impersonal one."
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Blogworthy public discourses: JD Lasica is back from Digital Hollywood (he describes it as "the movie industry's three-day love fest, which mostly dealt this year with battling piracy and launching new Internet and video on demand services"), and posts some revealing highlights. A sample:

Most revealing quote of the day went to Brad Hunt, CTO of the MPAA, who at one point summed up the challenge facing the entertainment and computing industries this way: "How do you make the PC a trusted entertainment appliance?" That's the mindset, the shared assumption, underlying the forces on this side of the copyright battle. Wading through two days of that negative energy was a trying experience.

Lasica gets around. He's also posted a column (When Bloggers Commit Journalism) at Online Journalism Review recounting his experience on a panel of bloggers and journalists last week at the University of California Graduate School of Journalism.

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Manifesto for world dictatorship: How we look to the rest of the world, from the Sydney (Australia) Morning Herald.

Now we know. The Americans have spelt it out in black and white. There will be a world government, but not one even pretending to be comprised of representatives of its nation states through the United Nations. The United States will rule, and not according to painstakingly developed international law and norms, but by what is in its interests.

In declaring itself dictator of the world, The United States will have no accountability to non-United States citizens. It will bomb who it likes when it likes, and change regimes when and as it sees fit, it will not be subject to investigations for war crimes, for torture, or for breaches of fundamental human rights.

When it asks the United Nations to move against Iraq, it is not demanding agreement to a strong case for action. It now admits it has no evidence that Iraq is preapring to use weapons of mass destruction against any other country. The Americans have stopped pretending, and now demand outright capitulation to its hegemony. The world will be policed in American interests. Full stop.

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Molly Ivins (Houston Chronicle Online Special):

No. This is not acceptable. This is not the country we want to be. This is not the world we want to make.

The United States of America is still run by its citizens. The government works for us. Rank imperialism and warmongering are not American traditions or values. We do not need to dominate the world. We want and need to work with other nations. We want to find solutions other than killing people. Not in our name, not with our money, not with our children's blood.

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Art on the run: Heard of D.C.'s "Party Animals"? They're seeking shelter.

What they are: 200 decorated elephants and donkeys, 4 1/2-by-5-foot symbols of the Democratic and Republican political parties. One is outfitted like a D.C. taxi, another is soaked in yellow to represent the yellow-dog Democrat, and then there's one masquerading as Bottom, the jackass in "A Midsummer Night's Dream." Bottom has lines from Shakespeare on his tail.

Why they're hiding: With the impending arrival of thousands of World Bank-International Monetary Fund protesters, police warned the D.C. Arts Commission that its prized herd of sculptures could be targets for urban poachers.

So on Friday night, after American University's leaders agreed to turn their campus into a refuge, Alexandra MacMaster -- arts patron turned safari hunter -- parked in front of the National Geographic building with three trucks and nine volunteers to operate the lift gates, beginning their relocation of the elephants and donkeys.

Here's a thumbnail page of photos of all the animals. And a link to IndyMedia.org, which is all over the protests.
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It's cool, but is it true? Is fiction true? Over on MetaFilter, a group blog, there's an intriguing post -- author/illustrator Edward Gorey had gotten deeply into Macromedia Flash, and the result was August Strindberg & Helium, four funny Flash movies. But the comments deconstructed the post by author "Marquis de Guillermo," who runs a satire site called Tangmonkey:

-- Gorey died in 2000. Here's his obit/appreciation in The Guardian (U.K.)

-- One poster "made a truetype font when he died. Sample image here."

-- Another writes, "He's very definitely dead. His house is now a wonderful museum, which I strongly encourage any Gorey fan to visit."

Finally, Marquis returns: " Everybody's so unimaginative. This is not a hoax: it is fiction. And (maybe maybe?) an attempt at Art."

The attempt succeeds, I think, and along the way some wonderful links emerged.

It's also reassuring to see so many debunkers at the ready. Lies won't last long out here...

A piece of the '60s returns: On Sept. 10, I blogged, "Its name is J002E3, it orbits earth every 50 days, doesn't reflect as much light as might be expected from a metallic object, and it was discovered just a week ago. How might we have suddenly acquired a new 'moon'?"

Well, we didn't. A piece of Apollo 12, launched in August, 1969, got spat back from space, Wired reports,

Since its first sighting on Sept. 3, scientists had suspected that the 60-foot-long object, named JOO2E3, was a small asteroid. But further observations have proven that JOO2E3 was manufactured by humans, and is probably the long-lost third stage of the Apollo 12 rocket that took astronauts to the moon in 1969.

One of the puzzles was that JOO2E3 didn't reflect enough light to be metal.

There's an explanation of that, too:

Analysis by a high-power telescope provided the final clues: JOO2E3's surface is covered in white paint.

University of Arizona astronomers measured the spectrum of sunlight reflected from J002E3 and found the colors were consistent with white Titanium oxide (TiO) paint. That's the same type of paint NASA used on Apollo moon rockets 30 years ago, according to Carl Hergenrother, who conducted the study with colleague Robert Whiteley.

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September 24, 2002


Honoring women journalists: The U.S. Postal Service issued a set of stamps Sept. 12 honoring four pioneering woman journalists. Nellie Bly, who went around the world in 72 days for Joseph Pulitzer's New York World; Marguerite Higgins, who won a Pulitzer Prize in 1951 for her reporting on the Korean War; Ethel L. Payne, the Chicago Defender's one-woman Washington bureau and the "First Lady of the Black Press"; and Ida M. Tarbell, who raked the muck around Standard Oil.
-- Editor & Publisher Online

 

The world's largest peace sign collection. (Thumbnails at a glance via Google images)

Transcript of Al Gore's speech on Iraq.

Science's 10 Most Beautiful Experiments. (NYT reg. req.)

WiFi notes:

Being Wireless: Nicholas Negroponte explains why Wi-Fi "lily pads and frogs" will transform the future of telecom.

Depending on the intervening materials, a vanilla Wi-Fi can radiate more than 1,000 feet. Since I live in a high-density area, my system reaches perhaps 100 neighbors. I do not know how many use it (totally free) — frankly, I do not care. I pay a fixed fee and am happy to share.

Because further down the street, beyond the reach of my system, another neighbor has put in Wi-Fi. And another, and another. Think of a pond with one water lily, then two, then four, then many overlapping, with their stems reaching into the Internet. (Credit for the water lily analogy goes to Alessandro Ovi, technology adviser to European Commission president Romano Prodi.)...

In the future, each Wi-Fi system will also act like a small router, relaying to its nearest neighbors. Messages can hop peer-to-peer, leaping from lily to lily like frogs — the stems are not required. You have a broadband telecommunications system, built by the people, for the people. Carriers are aware of this, but they discount it because they do not feel there will be sufficient coverage. They are wrong.

... Viral telecommunications is a truly new, bottom-up phenomenon, where everyone builds their own and the whole is woven together into a mesh by loose agreements. In the face of a down telecom market and tight capital spending, this has further appeal.

Second, its performance increases with the number of nodes. Typically, adding handsets means interference goes up and quality of service goes down. In this topology, more nodes equals better service.

Slashdot: Keep your eye on 802.11a: "This article (802.11a: Wait until next year!) on 80211-planet.com predicts a real boom in the market for 802.11a in the coming year. An excerpt from the article:

No one doubts that 802.11a, with its top data throughput rate of 54Mbps--with up to 72Mbps or 108Mbps possible if you use one of a variety of proprietary and non-standard double-speed modes--beats the pants off 802.11b, which only has 11Mbps on a good day with the wind blowing the right way.

In tests in my SOHO LAN, I found that in real world conditions, 802.11a averaged four times faster than 802.11b. In addition, with its 5GHz frequency, 802.11a avoids the interference slow-downs that b must suffer with microwave ovens, high-end wireless phones, and other 802.11b networks. Also makes an interesting read for knowing about the technologies which maybe driving the wireless bandwagon in the coming years."

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Breaking new ground after the NYT story? Several bloggers have noted that my posting the transcript of my email interview with NY Times contributor David Gallagher was unusual. Dan Gillmor noted it -- he was also quoted in the NYT story -- and mentioned, "(My interview) was on the phone, so I can't post it."

Ken Layne blogged that I'd posted the transcript, and accurately guessed the reason:

Not for any "Gotcha!" reasons, just to get the long exchange out there and add context to her quotes in the paper.

As NYT contributor David Gallagher is himself a blogger, he won't be bothered by this. But I imagine certain reporters would be really pissed off to find their entire interview on the source's own site.

The point? None, really. It's just cool to have the whole article-generating process made public.

I added an explanatory comment to Ken's post:

I've been away from print for three years now, producing part of the projo.com site, so linking to sidebars on other sites is how I work. With this infinite newshole, the entire web is candidate for a role in a more complete story.

David asked fine questions, and I didn't wince when I read my answers, so it seemed a shame to waste the time and ideas in that sidebar.

I expect there'll be more of this in the future. Stories will be written with the Web in mind -- well-told, fact-packed tales supported by links to primary sources. Print could indeed become a portal to the Web.

Here in the land of "Digital Extras" -- the Journal's name for links added at the end of newspaper stories that point to media files or sites on the web -- it seemed natural to me to publish "the rest of the story" online for readers who might be interested.

But I hoped David Gallagher didn't think my "sidebar" was a swipe at his story, so I told him by email what I'd done. From his vacation spot in the U.K., Gallagher wrote,

That's great -- I was even going to suggest something like that.

Unfortunately I have limited Web/e-mail access here so I didn't even get a chance to put up extra related links on my site as I usually do when I write a story like this. Your answers were great so I'm glad they're out there.

Another happy ending...
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Bloggus interruptus: I installed a minor update of the Multizilla add-on, and everything is crashing. This is all I can write.

September 23, 2002


AP
Peace One Day: Dave Stewart, left, and Jamaican Reggae star Jimmy Cliff perform on stage at the Brixton Academy, south London, Saturday , during 'Peace One Day - The Celebration,' a concert marking the UN International Day of Peace. The song they wrote and recorded may be downloaded free at the Peace One Day site.

Howard Rheingold on 'Smart Mobs' and more: A man with painted shoes, Howard Rheingold, is one of the web's cool guys.

Rheingold is the author of Virtual Reality, and The Virtual Community (which he gives away on the Web), and was the editor of Whole Earth Review and the Millennium Whole Earth Catalog. He was one of the principle architects and first executive editor of Hotwired, but quit after launch "because I wanted something more like a jam session than a magazine." His own virtual community, Brainstorms, avoids flamers by a sign-up process: "To get in, either I invite you or you email me and explain why you would be a valuable addition to the conversation." His newest book is Smart Mobs: The Next Social Revolution.

Smart Mobs is imminent, and Rheingold will kick off the book tour at Pop Tech, a conference in Camden, Maine, Oct. 17 that will focus on Artificial Worlds. JD Lasica, who writes that he has teamed up with Buzz Bruggeman (of ActiveWords) to make a blog for Pop Tech, interviews Rheingold, the first of the Pop Tech speakers the conference's bloggers hope to evoke.

JD publishes this excerpt from their chat:

There's a group in Helsinki, young folks who have a physical gathering place, a social club, and a virtual community. If you go to their office, which offers you a coffee machine, a kitchen, a copier, a telephone and wireless Internet access, your key has a little RF ID electronic chip in it that will let other people in your social network know that you're in the building. So if you're sitting at home and you're part of the virtual community, then that name will pop up on the buddy list on your screen. Or you'll get an SMS message. So we're now seeing people in virtual communities getting together face to face and coordinating while they're moving between places. We're seeing an extension of virtual communities into the mobile space.

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Forward-thinking art: George Fifield, founder of the nonprofit Boston CyberArts Festival, will be at Rhode Island College tomorrow night, showing work of the last festival in 2001 and presumably drumming up art and enthusiasm for the next one, in March of 2003. The time is 6 p.m. in Whipple Hall 104. More info: (401) 456-8054.

Fifield is Curator of New Media at the DeCordova Museum and Sculpture Park in Lincoln, Mass.
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Slashdot interviews Janis Ian: The '60s singer (Society's Child) has a huge second act going in her life -- leading the charge on the record industry. An excerpt:

Do you not find it strange that a 2-hour DVD, with commentary, subtitles, and extra scenes, can be sold for less than $10, while few audio CDs are that low priced?

Janis:
I don't find it strange, I find it reprehensible.

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Dan Gillmor: Jack Valenti presents Hollywood's side of the technology story:

Congress listens attentively to the 81-year-old former White House aide who, since 1966, has been president and chief executive of the Motion Picture Association of America....

He was adamant... that technology gear in the future -- including personal computers -- will have to be modified to prevent people from making unauthorized copies. This stance has angered many users of technology and worried some in the industry as well.

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Make your own sand painting: At Sand Art, there are instructions, and you can save your creation and open it in a paint program to edit it.
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Spiritual web? Spirituality.com interviews David Weinberger (another of the Cluetrain quartet) on "The spirituality of the Web's architecture"

In connection, we are beyond our own interests. So, if spirituality has something to do with the moments when humans transcend themselves, that self-transcendence is built into the very architecture of the web and inevitably affects business.......

.....Every link is a small act of generosity, of selflessness. And that's what I understand human spirituality to be about, at least to a large degree. Thus, the Web's architecture is spiritual. via The Obvious

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Bush's war plans are a cover-up, Byrd says: The Charleston Gazette reports that the Senate's revered constitutionalist's belief in the Constitution will prevent him from voting for Bush’s war resolution. "But I am finding that the Constitution is irrelevant to people of this administration,” he says.

Byrd says Congress needs solid evidence and answers to several specific questions, including:
# Does Saddam Hussein pose an imminent threat to the U.S.?
# Should the United States act alone?
# What would be the repercussions in the Middle East and around the globe?
# How many civilians would die in Iraq?
# How many American forces would be involved?
# How do we afford this war?
# Will the U.S. respond with nuclear weapons if Saddam Hussein uses chemical or biological weapons against U.S. soldiers?
# Does the U.S. have enough military and intelligence resources to fight wars in Afghanistan and Iraq, while mobilizing resources to prevent attacks on our own shores?

The senator's speech: A Responsible Approach to Homeland Security
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Learn for free online -- from MIT: BBC reports that MIT has finally figured out how to take advantage of the Internet. It's called OpenCourseWare. Here's what it means,

Over the next 10 years, MIT will move all its existing coursework on to the internet.

There will be no online degrees for sale, however. Instead, it will offer thousands of pages of information, available to anyone around the globe at no cost, as well as hours and hours of streaming video lectures, seminars and experiments.

This is just the tip of the iceberg. MIT wants to start nothing short of a global revolution in education.

"Our hope and aspiration is that by setting an example, other universities will also put their valued materials on the internet and thereby make a truly profound and fundamental impact on learning and education worldwide," said MIT's Professor Dick Yue.

MIT cautions that this is just the textbooks, not the teachers.:

MIT OCW is not a distance learning initiative. Distance learning involves the active exchange of information between faculty and students, with the goal of obtaining some form of a credential. Increasingly, distance learning is also limited to those willing and able to pay for materials or course delivery.

MIT OCW is not meant to replace degree granting higher education. Rather, the goal is to provide the content that supports an education.

The first group of courses are to launch a week from today, September 30.
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Who writes weblogs? Seb's Open Mind points to lists of Weblogs by Profession, and notes,

...mainly kinds of people who:

* must interface to ordinary people.
* are pattern explainers.
* have little to hide and more to share.
* are not afraid of writing.

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The rest of the story: About a month ago, I agreed to an email interview with David F. Gallagher, a blogger who freelances for The New York Times. When his story ran today (Reporters Find New Outlet, and Concerns, in Web Logs) in that newspaper, limitations of the news hole chopped what's below to one paragraph.

But, thanks to weblogs, I can publish the entire interview myself -- a new wrinkle in the relationship between reporter and interview subject.

Here's the entire exchange:

NYT: Why do you have two weblogs?
My personal blog started as an experiment during a two-week vacation in July; I announced it, gave the link, and readers followed me there. I wanted to explore a less formal voice, put up some of my photos, write about personal friends and family without fully identifying them -- and not blog at all, if I chose. I also wanted a way to respond to events in the blogosphere without being tempted to drive downtown to do it.

When the call came that my mother had died at 3:15 a.m. on July 18, I spent a few minutes pacing, then sat down and fished out a photo I'd taken of her on Mother's Day, 2000, and put it up. Bloggers reported my mom's death, and strangers left comments. (The URL was also posted on the in-house Atex bulletin board at the Journal, and colleagues left messages.) Mom got a virtual wake and an afterlife on the Web. It was totally new use of the Web, for me, and I would not have chosen, or been able, to do that on the Journal site.
I have simulblogged as well, publishing something on my own blog on a weekend, and copying it to the projo blog on Monday.

They're both just me writing; they're not competing publications. That's like asking a reporter what section her piece is going in -- she may not know what pigeonhole it will end up in.

NYT: Are there things you would write in one that you wouldn't write in the other?

My personal blog has links to the Providence Newspaper Guild site, which I maintain, and to my brother's project to bring the USS Saratoga to Quonset as a museum.

Neither is appropriate on the Journal blog.

I've also talked about geezer sex, hormone replacement therapy (I didn't choose it, an anonymous friend who did got breast cancer), and the after-hours bar we patronized in my early days on the the night news desk. I might experiment with fiction or song lyrics there, if I ever have the leisure to write some. The personal blog can be "offbeat," in both senses of that word.

But if I'm going to report on a major issue, such as the current "First Congressional candidate with a blog," I'll do that formally on the newspaper site, with lots of quotes and attribution, and background links to both the candidate and her opponent. Some bloggers linked to that as The Providence Journal website reporting on it, rather than, "Sheila says... ."

NYT: Is your weblog on projo.com edited by anyone? Do you feel weblogs like this should be edited?

My editor, Sean Polay, and I have a very relaxed relationship: He isn't a censor, he catches typos, makes occasional suggestions and gives an opinion if I ask for one.

If I'm going to do something unusual -- like blogging a byline strike that the newspaper is not reporting, which I did -- I alert him.

Newspaper culture says everyone is subject to editing, and by having this relationship, neither of us is left exposed. I've been an editor myself for 17 years, so I'm used to it. But I couldn't file every 20 minutes if I felt like it -- although I have filed early because I wanted to give other bloggers a chance to link to it while the issue was hot, and told my editor I'd add "Web wire editor" links later in the day.

What I can't do is blog at 3:30 a.m., as I did when Mom died.

So in that sense the personal blog is a bolthole, too.

NYT: Why have a weblog on a newspaper site?

When I blog on the projo site, the resources of The Providence Journal are available to me -- photos, stories and, most importantly, access: If I call the White House, they'll call me back.

Answering that question from another angle, there are readers who come to the newspaper site, and to Dallas News and some other Belo sites that syndicate my weblog, who wouldn't go out into the Wild Web. So there's a built-in readership available to me.

NYT: Is this something you would recommend to other papers and journalists?

Absolutely. We're educating and involving readers in the decisions that will affect their future. The feedback is instantaneous, and the stories advance cooperatively. It's exciting and stimulating to be a part of, with one foot in the newsroom and the other in the "blogosphere."

The newspaper doesn't cover the Web and how-to technology; it writes about tech companies, and publishes tech columns, but there's no daily in-depth reporting, because they're addressing an offline readership.

On the projo.com site, we know everyone is online and interested in that medium, its issues and the tools to negotiate it. What I write about and point to is likely to be new, newsworthy and, I hope, useful to them. Since about half the site's readers come from AOL, I try to explain tech issues in terms of how they might affect us, and I translate deep-geek jargon into common language when necessary.

NYT: What kind of policy should media outlets have toward personal sites created by their employees? Is it any of their business if a reporter wants to spout off on his or her personal weblog?

Our union contract language, which addresses freelancing and probably applies to blogs, says if the publisher feels your outside activity hurts the paper's business interests you can be asked to stop. Then it's subject to the grievance process.

That's pretty broad, actually, and I can live with it.
As a journalist there are things I can't do without compromising my objectivity -- sign political petitions, lobby, serve on (corporate) boards. I don't belong to a political party. And I don't publish every thought I have on my personal weblog.

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Subterranean Homepage News
by Sheila Lennon
features & interactive producer of projo.com

 

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