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The prisoner:

6 years, 4 months, 18 days

In his first three months at the state prison, Scott Hornoff heard of the birth of his third child, a son Jacob.

Five months in, a bank repossessed the family's car. Soon after, his wife was forced into bankruptcy.

His family did not like to tell him bad news. He learned of the death of his favorite dog, a Newfoundland named Whitney, in a roundabout way. He worried: if they wouldn't tell him about the death of a dog, what else might they be hiding?

No one liked to tell him good news either, stories of a trip taken or a good meal eaten out. They didn't want to torment him with what he was missing.

Journal photo / Gretchen Ertl
ARTISTIC EXPRESSION: Tina Dauphinais, Scott Hornoff's fiancee, wrote to him in prison on origami paper so that he could create sculptures such as this sailboat, wolf and swan. Since prisoners have limited access to paper supplies at the ACI, Scott also used the silver foil in cereal boxes to form his art.

Prison was blue steel and cinder blocks. It was khaki shirts and the non-stop hum of the ventilator. It was standing for the "count" four times a day and learning quickly to trust no one. Scott grew convinced that one inmate was wearing a hidden wire, hoping to catch him confessing to the murder of Vickie Cushman.

Scott was 26 when she was murdered, 33 when he arrived at the ACI; he'd be eligible for parole at age 48. Scott knew he would never win parole; parolees must show remorse, and Scott would never apologize for something he did not do.

Prison is a dangerous place for an ex-cop. Scott served his time in protective custody, in a 6-foot by 10-foot cell with a bed and a toilet. He discovered that the hiss of the toilet flushing could cover the sound of his sobs.

Scott lived for visiting hours. He'd hold hands with anyone who came: his mom; his wife, Rhonda; his three boys. The warm, human contact made him feel like he wasn't a caged animal.

The days dragged. Scott learned origami, the Japanese art of sculpting paper. He fashioned simple cranes from the silver foil of cereal boxes and over time he learned to create more elaborate creatures: a wolf, a peacock, a dragon. He taught himself to draw.

Sometimes he'd jog in his cell, staring through barred windows, pretending to be running through the woods with his brother. Scott developed the "thousand-yard stare" that he still can't shake.

The running in his cell was hard on his legs; sleeping on a steel bunk was bad for his back. He felt the onset of the aches and pains of middle age. His blond hair grayed at the temples.

While Scott ran in place, events in the outside world plodded forward: his third son grew from diapers to grade school; the oldest passed from grade-schooler to teenager; Superior Court Judge Robert D. Krause denied a second appeal for a new trial; Rhonda sought, and was granted, a divorce.

The 1999 divorce, Scott says, was mutual. He told Rhonda he would win his freedom, but he did not know how long it would take. He didn't want her tied to that place, the prison.

With the divorce, the destruction of the Hornoffs was complete: Scott and Rhonda had lost their money, their property, their marriage; Scott had lost a career and his freedom. Almost every day he thought of suicide.

Scott endured the prison routine: Thursdays was French toast day, Saturday night was franks and beans; he'd trade his Saturday night dinner for somebody's Thursday breakfast.

At mealtimes they sat on steel stools at steel tables in groups of 4; they had 9 to 12 minutes to eat. Scott would swill his food, swivel around and face the wall. His table mates would ask: Why do you eat so fast?

He'd say, "Well, I'm not here for the atmosphere."

Often he would not eat at all. He lost weight, enough so that Joel S. Chase, his lawyer, worried. Scott was more than Chase's client; he was his friend.

Scott's conviction tortured Chase. Every day Scott served in prison, Chase second-guessed himself: Why did I let this happen? He prayed to God daily for a second chance to right the wrong.

In the periods when Scott would not eat, Chase gave him pep talks: "The truth will come out and we'll get you out of here."

Other times Chase was surprised at how well Scott bore the burden of being an innocent cop condemned to life in jail.

Scott once told Joel: "I guess this is meant to be. I'm meant to go through this so others don't."

Scott says now: "Growing up I always felt a connection to those who had suffered throughout time, whether it was the slaves from Phoenicia and Crete, and the Christians in Rome, and the Jews and handicapped in Nazi Germany and the Salem witch trials, the Spanish Inquisition. Whatever it was, I felt a connection with the innocents who had suffered. Even though I wasn't on that caliber and suffering as greatly as any of them did, I still felt some type of connection."

AFTER THE divorce, Tina Dauphinais, Scott's friend from Rocky Point, began to visit him in prison. She sensed that Scott wanted to hear stories of the outside world, of family trips and good meals, to live vicariously through them. She would hold her cell phone above the surface of Narragansett Bay and swirl her hand through the water so Scott could hear it trickle. If she heard a loud bird, like a cardinal, she'd hold out the phone to let him listen; she'd bring the phone to parties so Scott could hear laughter.

Tina became obsessed with winning Scott's freedom. She knew he was innocent; each passing hour was another one wasted. She watched television shows like Forensic Files; she'd call and e-mail the programs asking for help, with some success. With Tina's prodding, the National Police Defense Foundation and the Innocence Project began battling to free Scott Hornoff.

Tina arranged her work schedule around visiting hours. Other times, she would sit on a patch of grass by the parking lot where Scott could see her from cell P3. When a fence was put up, blocking his view, she tied a yellow ribbon to it.

Scott liked visits from his sons. But a psychologist was concerned that Scott was giving the boys false hope. In a report to a Family Court judge, he insisted that Scott stop "making promises of things they will do together."

Journal file photo / Glenn Osmundson
DAY OF RECKONING: Todd J. Barry is arraigned on a charge of second-degree murder on Nov. 4, 2002, after he confessed to killing Victoria Cushman.

The psychologist said that "Joshua believes he can decide to live with father when he is 14 years old and presumably because his father will be free."

WHILE SCOTT Hornoff stayed stuck in a kind of purgatory, the real killer enjoyed the small milestones of a good life. Todd Barry began his own business, Barry Construction; his wife gave birth to their second child, a daughter; a real-estate boom gave him a tidy profit when he sold his Pawtucket house and bought another in Cranston.

The Barrys moved to Cranston in the summer of 2002, 13 years after Todd killed Vickie Cushman. By fall, Todd was having serious mental problems. Since breaking into carpentry a few years out of North Kingstown High School, he had felt self-assured, handy, competent. Now completing even simple tasks was difficult, a chore. He felt "edgy."

He chalked it up to stress; he stopped working to see if that would lighten his load. That backfired. Out of work, he could not sleep. A doctor prescribed sleeping pills; they did not work.

At first he didn't know what was rising from the depths of his mind. He felt something coming out his subconscious about "how awful I felt."

In a video-taped confession to the state police, Todd says: "Listen, 13 years, 13 years. There's a lot of things going on in 13 years that you don't remember, that you've put back into different corners of your mind, and then you have a breakdown, and you haven't slept in two-and-a-half weeks almost."

Then on a Saturday morning he suddenly knew what haunted him: Vickie. "And then the whole thing comes -- it's coming crashing down that I've been hiding all these years and this guy's in jail and there's no friggin' way I can have this guy in jail with me outside. No way. No how."

He wanted to tell Donna, but how? How do you tell your wife, a mother of two children who still had their baby teeth, that her husband, their father, is a murderer?

SUNDAY: The Confession

Gerald M. Carbone can be reached at gcarbone@projo.com and Cathleen F. Crowley can be reached at ccrowley@projo.com.

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