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By Sheila Lennon
'
Bottom-up' journalism from the pros

August 2, 2002

CARP fees dog Eargazm radio

Bernie Larivee (photo) of East Providence, an HVAC controls technician at Brown University, e-mailed me this week to introduce himself and his labor of love, a tiny net radio station called Eargazm, which boasts as many as four simultaneous listeners. Eargazm is one of many hobby radio stations threatened by the new royalty rates established by CARP (Copyright Arbitration Royalty Panel) of .07 cents per song per listener. Here's Bernie:

"Did you know that there's a local internet radio station that stands to be annihilated if these fees are realised?

"Formed by two college radio veterans, Eargazm webcasts 24/7 from the 'Phantom Living Room' in East Providence.

"Every other week, we get together and assemble a four-hour show, record it to disk, rip it to MP3 and let it play in rotation with other previously recorded shows.

"We don't make a single penny. In fact it costs us money to webcast, money that comes out of our pockets. We're exactly the kind of station that would be swept away with these new copyright fees, since we have no income whatsoever. We do it because we love to.

"We're not a business model, we're a public service, a venue for artists that might not otherwise see the light of day."

Have you contacted lawmakers? Got a plan for what you'll do in the future?

"I've basically done my part to support legislation that makes payments to the artist reflect the money made by using their product. Live 365, which carries our Low-Res feed these days (they pay the ASCAP and now CARP fees, which will cost us a small fee starting this month), made such a proposal on the first go-round of the CARP legislation. They had a petition proposing that payments be based on income, I believe that's the right way to go.

"For example, If I play your music to get you to come to my restaurant, I'm making money by using your product. You deserve some of that. If I'm just playing your music because I like to, and I don't make any money off it, well, you're entitled to some of that too!"

What's the technology behind the show -- do you start from vinyl and burn mp3s to a CD?

"We use a mix of vinyl and CD, record the entire thing to disc on an old Mac, then I edit out any screw-ups or dead air for future playings, rip the entire 4-hour show to MP3 and put it in the Jukebox which plays continuously. The jukebox is a Linux machine that uses Icecast software to stream the audio.

"We've had as many as four listeners at a time on a Saturday night doing the live webcast."

Is there any action you'd like taken?

"I'd like to see a "public radio station" kind of legislation that would include reasonable fees for little guys like us. Perhaps even use that model and make the stations listener-supported. A 501(c)(3) entity whose sole purpose is to provide a venue for music that would never be noticed by mainstream media. We provide a venue, the artist provides the entertainment, even trade. Or maybe just a reasonable cut. That would be fair. That would be democratic."

A final note from Bernie:

"Some quotes for ya.
I wrote this up tonight, finally committing to disk what I've been mumbling to myself for months.

"This is how I think the internet radio/RIAA situation should be handled and a bunch of similar blather.

"Perhaps you'll find it usable. I had to get up on the soapbox there for a sec, but sometimes I just can't resist the urge to try to make things better."

Bernie Larivee's thoughts on Internet radio law
Contact Bernie at Eargazm

Sidebars:
Hollywood Steps Up Its Assault on the Net While Webcasting Death March Claims KPIG
Web Radio Law Changes Introduced ("In a last-ditch effort to protect smaller Webcasters from what they describe as unfair royalty obligations, three influential U.S Congressmen [last month] introduced the Internet Radio Fairness Act,a new law seeking to change existing Web radio laws. )
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Woodstock master tapes for sale(?): It must be August again. Woodstock's back in the zeitgeist.

A private collection of the original recordings, including the soundtrack album master tapes of producer Eric Blackstead, are allegedly for sale. A pdf of an appraisal values the "772 minutes representing 15 artists and nearly 135 songs or performances" at $1.6 million.

The contact page has no link however, and "Said purchaser may not be ANYONE WHO COULD OR WOULD REPRODUCE, DISTRIBUTE, PUBLISH, SYNCRONIZE, SIMULATE, DUPLICATE, MULTIPLY OR SELL ANY INTELLECTUAL PROPERTIES INVOLVED WITH THESE TAPES."

This means you.
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Cell phones assemble "smart mobs": "Social swarming involves sharing your life with others in real time. It means pulsing to the rhythm of life with one's posse. It means a nonstop emotional connection to one's swarm."
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Starved for Food, Zimbabwe Rejects U.S. Biotech Corn

Thousands of tons of U.S. emergency food aid destined for crisis-stricken Zimbabwe has been diverted to other countries, and a new shipload may be diverted within days, because the donations include genetically modified corn that the Zimbabwean government does not want to accept. ...

If some of the corn seeds are sown instead of eaten, the resulting plants will produce gene-altered pollen that will blow about and contaminate surrounding fields.

That could render much of the corn grown in Zimbabwe -- a nation that in most years is a major exporter -- unshippable to nations in Europe and elsewhere that restrict imports of bioengineered food, because of environmental and health concerns.

The United States could save lives and avert a potential ecological crisis by paying to have the corn kernels milled before they enter Zimbabwe, several experts said this week. But relief officials said U.S. food agencies typically don't cover milling expenses, which are estimated at $25 per metric ton -- a significant expense for a nation so poor.

That response has fueled suspicion among some observers in the United States and Africa that Washington is using the food crisis to get U.S. gene-altered products established in a corner of the world that has largely resisted them.

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One million pounds set to march on Ottawa
Obese people plan to protest funding cuts to stomach stapling

That gets my Headline of the Week nomination.
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Online Music Catalogs Lacking: Despite a series of improvements that make legitimate online music services more attractive, the major record labels still can't give music fans something they've been getting from pirate services for more than three years: a comprehensive catalog of songs. (L.A. Times, reg. req.)
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Foil the mind control: If you do see Signs (see below) , you might want to make your own aluminum hat to foil mind-control efforts.
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July 31, 2002

Few signs, no wonders: I saw a sneak preview of Signs last night, a movie that I had hoped would pick up where Close Encounters of the Third Kind left off. It's not that.

Since crop circles play a part, a lot of the action takes place in a house next to a cornfield, incongruously recalling Field of Dreams. (I'm open to the possibility that not all crop circles are manmade; it seems arrogant, and historically unwarranted, to assume that human knowledge c. 2002 is comprehensive.)

This film goes downhill as it goes along, thanks to a paranoid perspective, an implausible view of crop circles that ignores the complexity of the imagery, and a subplot more worthy of Michael Landon than Mel Gibson. Damn.

Nevertheless, most critics seem to like it. (Except Joe Baltake at the Sacramento Bee, who echoes some of the same feelings I had. Honest, I found this link after I wrote what's above.)
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"Hello Providence": Wozz, the source of yesterday's "Open Source Music" links, wrote to point me (and you) to a post today about his New England roots and a site about Bands That Allow Taping in the Grateful Dead tradition. Go get your greetings from the man himself.
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Distributed music reviews: More than 70 bloggers responded to Eric Olsen's offer of free CDs to bloggers who'll review them, and he's posted on Tres Producers the first and second batches of items interested bloggers (I'm one of them) posted about the project. It's an interesting ad hoc group.
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Wireless town: "University of Georgia ... has joined with local government to create WAG, the Wireless Athens Group. They're building a "cloud" over several blocks of the downtown area where anyone with the right equipment can have free Internet access. The cloud now covers about three blocks, and it will soon expand to 24." via Slashdot

What does this mean? Think of it as sending and receiving email, web pages, etc. as radio waves. If I lived in Athens, I could just put a network adapter on my desktop PC, plug it into a USB port, and slip a PCI card into it. Then I'd cancel my cable internet subscription and surf via the Wi-Fi network. I don't live in Georgia though (too hot!).

I'm about to buy a laptop with Wi-Fi (keyword: 802.11b) and set up a wireless network at home. I'll need a laptop with built-in Wi-Fi or I could buy a $100 card to stick in its PCI slot. This would let me blog live from anywhere with wireless net access -- and the whole "Warchalking" movement (see next item) is about leaving symbols on buildings with open access available to anyone in range.

The home network is a little different. That would let me plug in the laptop on my cool backyard screen porch and reach my desktop as though it were simply another drive on my laptop. I could then put my desktop system -- the computer itself, keyboard, monitor scanner, printer and external hard drive -- upstairs, or even in a ventilated closet, since it heats up the den, and my low tolerance for sweating limits my Net time on these hot nights.

Read more:

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Deep-geek Pedantry: "Warchalking" -- leaving chalk symbols to indicate where you'll find open wireless net access -- is in our future, but the "War" part of the word gives pause. Doc says, "And why bother when we can defuse rhetorical complaint bombs by simply making WAR an acronym? Here ya go: Wireless Access Reconnaissance."

Oops. "Reconnaissance" says "war" to me, too. (American Heritage Dictionary: reconnaissance An inspection or exploration of an area, especially one made to gather military information.) My favorite among the suggested alternatives: WiFiti, like graffiti

Sidebars: A pdf (free Adobe Acrobat reader required) of the warchalking symbol card ; from ZDnet UK, "Warchalking marks the Wi-Fi 'hot spots' "; the hobo signs that gave rise to the concept.
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Toying With Musical Instruments at Wired (very cool):

"If traditional concert performances leave you sighing for more, you can look forward to an opera where musicians squeeze squishy embroidered balls, play soundless violins and bang on glowing bugs with antennae.

"These hyper-instruments were developed by Tod Machover of MIT's Media Lab in an attempt to break free of conventional musical instrument design. Building on technologies developed for Machover's groundbreaking Brain Opera, these music toys enable children to engage in sophisticated listening, performing and composing activities normally accessible only after years of study."

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Fair Use under fire: From the Chronicle of Higher Education,

"When Congress brought copyright law into the digital era, in 1998, some in academe were initially heartened by what they saw as compromises that, they hoped, would protect fair use for digital materials. Unfortunately, they were wrong. Recent actions by Congress and the federal courts ... have demonstrated that fair use, while not quite dead, is dying. And everyone who reads, writes, sings, does research, or teaches should be up in arms. The real question is why so few people are complaining."

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Come to Poppa: And just as Doc Searls was getting grumpy over turning 55, he's become a babe magnet. "You don't always get what you wa-ant, but if ya try sometime, ya just might find, ya get what ya neeeeeed...." You go, guy!
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July 30, 2002

Dog story: I missed our former Providence Journal colleague Dan Barry's week-old NYT story on Cassius Marcellus Coolidge, creator of the most famous rug-on-the-wall painting of all, the poker-playing dogs (Artist's Fame Is Fleeting, but Dog Poker Is Forever). The painting's formal title is A Friend in Need, and Dan has a fine time with it: "Through his art, he created a fairer world in which opposable thumbs were not required to hold a beer bottle, button a shirt or lift that glorious ace off a card table's felt. "

Thanks to one of the new Salon blogs -- A blog doesn't need a clever name -- for the link.
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The truth is out there: Another Salon blog, Pru's Psychic Spy Training Facility, brings a new dimension to blogging, perhaps literally:

"My name is Prudence Calabrese. I am a Psychic Spy, trained and skilled in the art of Remote Viewing - a secret set of techniques developed by the CIA and the military by which ordinary soldiers were trained to use their minds to travel to any time, person, or place, and describe it with accuracy.... in this diary, I will teach YOU how to Remote View."

And that was just the first post.
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Artemis Records waives Internet royalty fees. "Artemis Records has agreed to issue licenses to internet radio for one year for the master use of songs by all Artemis recording artists. This announcement was made today [July 29] by Danny Goldberg, Chairman and CEO, Artemis Records and Daniel Glass, President, Artemis Records. During this period, beginning August 1, 2002, Artemis will waive the royalty payments that would otherwise be due them. "

Artemis artists include Kittie, Steve Earle, rapper Khia, Marah, Josh Joplin Group, Graham Nash, Boston, Rickie Lee Jones, Jimmie Vaughn, Peter Wolf, Warren Zevon.
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"Open Source Music": Links to some artists who follow the old Grateful Dead model of allowing fans to tape and trade recordings of live shows. "All of these artists are signed onto major labels of one type or another, but they allow their fans to tape them live and trade the shows freely."
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"The tragic ineptitude of the English male" from The Spectator (U.K.):
"The acknowledged beauty Leah McLaren (photo) has been on 12 promising dates in London. Nothing, as they say, happened. Here she meditates on the English man’s curious lack of libido." McLaren thinks sending the boys to boarding school is to blame.
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Minor Barrington blue cow update.

July 29, 2002


Journal / Steve Szydlowski
Cow Express: Is it art, or just a sign? Click to enlarge

Silly season blues: From Saturday's Providence Journal,

"BARRINGTON -- A life-sized, rainbow-colored cow at Maple and Wood Avenues has town officials udderly upset, its owners refusing to cower under threats, and an 8-year-old vowing to chain herself to the figure if it is removed."

"... It has a sky blue head, black curved eyelashes, and fluorescent orange sunglasses. A frog and nesting raccoons are painted on its ears. An elephant tipped on its backside and other animals are pulled in a red wagon on its body. Created by artist Shu-Inn Jenny, the figure is called Cow Express.

"It's the color," Bobbie Moreau said. "If it was tan and holding golf clubs, it'll be fine."

There's more, much more...
And a minor update July 30.
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Say it, brother: Dan Gillmor, San Jose Mercury News technology columnist, writes,

"If you or I asked Congress for permission to legally hack other people's computers, we'd be laughed off Capitol Hill. Then we'd be investigated by the FBI and every other agency concerned with criminal violations of privacy and security.

"Then again, you and I aren't part of the movie and music business. We aren't as powerful as an industry that knows no bounds in its paranoia and greed, a cartel that boasts enough money and public-relations talent to turn Congress into a marionette.

"That's why I don't doubt that the just-introduced bill, dubbed the "Peer to Peer Piracy Prevention Act'' and co-sponsored by the representative from Disney, will get a respectful hearing. Howard Berman, D-Mission Hills, whose campaign coffers are loaded with money from Disney and other entertainment companies, wants to confer on the entertainment cartel the legal right to hack PCs it believes are part of file-sharing networks..."

Related: Reclaiming the Commons

(I'm getting surly about being called a pirate by record labels that want to send cyberthugs to invade my computer and delete anything they think I might not have paid them for. Now that's piracy. Further reading: The Cold, Hard Truth About Recording Contracts: Indentured Servitude at The Austin Chronicle.)

Appropriately, the IBM ad intruding into Dan's story blared, "Hackers are knocking; click to set the locks and protect your vital systems."
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Arlo and Dylan: This weekend's Newport Folk Festival schedule is now final.
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Blogger rock critics: Eric Olsen at Tres Producers is looking for 100 bloggers:

"...we are going to give you free CDs if you are a blogger, love music, and agree to write about it on a regular basis. I will need from you in the form of an email: your name, your blog, your email address, your approximate monthly traffic, your favorite genres or artists. That's it for now. We will be your conduit to the record labels, who will be thrilled to have another publicity outlet in these grim days (for them). You can write CD reviews, essays, think pieces, overviews, eventually interviews, but you must somehow incorporate the music you will receive into your blog on a regular basis. How you do so is up to you."

If you blog and want to participate, there's more info here. (I volunteered.)

Interestingly, Eric blogs and responds to a dissenting crosscurrent from Josh Kortbein: "...(Eric) doesn't talk more about the economics involved, that is, about how the overwhelming majority of the "real" journalists (that's not a word he used, but it's one I sense) are paid for their work, as well as receiving free music (and the extra income that comes from unloading it, however slight that is). I'm not sure whether the fact that bloggers doing this would be doing unpaid work is an improvement or not."

Sidebar: A note about that "extra income from unloading it": A side business in reselling books and music is considered unethical here at The Providence Journal, so we have, roughly monthly, a "Book and Music Grab" to dispose of the unreviewed books that weren't distributed to libraries and CDs that didn't make the cut.

At 3 p.m. on the appointed day, the doors to the fourth-floor auditorium are opened, and anyone in any department is welcome to take 3 books and 3 CDs from the hundreds laid out on tables and on the auditorium stage. After 4 p.m., you can take as many as you like from what's left.

If you have niche interests, or such wide musical knowledge that you can spot a rare "before he got famous" reissue, you might score. But after years of these free-for-alls, most of us come away marveling at the dreck that gets published, and our homes are full of truly bad books.
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Out of Florida: Miami Herald's Very Famous Columnists Dave Barry and Carl Hiaasen rang the same bell yesterday:

Barry: Invest more, and replenish:
"Wall Street is in trouble. This is your fault.

"Yes, I am talking to YOU, Mr. or Ms. Small Investor. Wall Street is getting sick and tired of your namby-pamby ''wait and see'' attitude toward the stock market. Wall Street wants you to show some courage and resume handing your money over to Wall Street..."

Hiaasen: Arrest CEO, buy stocks, watch Dow Jones go up
"Americans are so infuriated by business scandals that they're aching to see crooked executives prosecuted and sent away like common bank robbers, or worse. The sentiment has not been lost on Congress, which is raising prison terms for certain corporate crimes to a maximum 20 years.

"While the likelihood of any board chairman doing hard time is laughably remote, politicians are feeling pressure to act outraged and talk tough.

"This time they're in a particularly sticky situation. Big political campaigns are bankrolled heavily by corporations and business groups. Locking up too many CEOs could result in a precipitous decline of campaign contributions..."

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Flog that trend: CBS MarketWatch reports today that the iVillage group of websites will eliminate pop-up ads by October — in response to user complaints about the intrusive form of Web advertising. via Steve Outing
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Just another rock 'n' roll night: The story (Getting Their Vibe Across in Unconventional Ways) starts off gingerly enough: "If a band wants to transmit energy from the stage to the audience, perhaps tunes and lyrics and songs merely get in the way. That seems to be the conclusion reached by Arab on Radar, Lightning Bolt and the Locust, three noise-rock groups that came to Northsix, in Williamsburg, Brooklyn, on Thursday night."

Times reporter Kelefa Sanneh followed the old-time reporters' rule: Don't leave till the end. Here it is:

"Things got even uglier when the (Locusts) drummer, Gabe Serbian, seemed to succumb to heat and exhaustion: as he clambered over his kit toward the audience, his stomach started contracting; what happened next was incontrovertible proof that he wasn't feeling well.

"He recovered and gamely attempted a few more songs, but it became clear that the insect militia had been vanquished by an even stronger force of nature. Mr. Serbian leaned over for another demonstration of ill health, and Mr. Pearson approached the microphone to admit defeat. 'Oops,' he said. 'It's over.' "

And you thought the wild and crazy days were gone forever.

Kudos to Sanneh -- and/or his editors -- for the graceful "Show it, don't tell it."

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Fun with Mozilla: Drag your Bookmarks icon into the browser window and find the secret level. I stumbled on this one all by myself. So have thousands of others.
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Subterranean Homepage News
by Sheila Lennon
features & interactive producer of projo.com

 

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