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A magical pairing of animated movie and live music

01:00 AM EST on Sunday, January 28, 2007

By Bill Van Siclen

Journal Arts Writer

A scene from The Adventures of Prince Achmed.

PROVIDENCE A magic lamp. A beautiful princess. A guy named Aladdin.

Sound familiar? It should. The Book of One Thousand and One Nights, the ancient story collection that gave us characters such as Aladdin, Sinbad and Scheherazade, has inspired at least a thousand and one sequels, spin-offs and adaptations

Yet even if you can’t stand the thought of another Aladdin remake, there’s a good chance that you’ve never seen or heard anything quite like the performance due to take place Thursday at the Avon Cinema.

The occasion? A special screening of The Adventures of Prince Achmed, a German film reputed to be the first feature-length animated movie. Created in 1926, the film uses puppet-like silhouettes to tell the story of Prince Achmed, a dashing hero who battles to save his beloved, the beautiful Peri Banu.

A highlight of the screening will be a live performance by members of the Silk Road Ensemble, the globe-trotting musical collective that specializes in music from Central and Eastern Asia. The group, which records and performs under the organizational aegis of the Providence-based Silk Road Project, will perform music written by the ensemble specifically for the film, which has no soundtrack of its own.

“It really is the perfect vehicle for us,” says Silk Road executive director Laura Freid. “The Silk Road Project was founded with the mission of bringing East and West closer together. The Adventures of Prince Achmed is a German animated movie based on stories from the Arabian Nights. What could be better?”

Freid says that Silk Road members began composing music for the film last fall. At the time, the Silk Road Ensemble was in residence at the Rubin Museum of Art, a New York City museum that specializes in the art of the Himalayas. As part of their residency, the musicians were asked to compose and perform music for one of the films in the museum’s silent-movie series. Freid says the musicians’ choice was unanimous.

“After seeing the film, I don’t think anybody had any doubts,” Freid says. “The sheer beauty of Prince Achmed, combined with the Arabian Nights source material, made it an obvious choice.”

Despite an extra-tight schedule — the musicians had about a week to compose and rehearse the music for Prince Achmed — the performance was a hit with both the audience and the musicians.

“Simply put, it was a roaring success,” says Rubin Museum programming director Tim McHenry. “Some people came because they’d heard about the performance. Other people just wandered in off the street. But no matter why they were there, they all loved it. I only wish we could bottle that kind of response.”

Silk Road violist Nick Cords says the musicians fed off the audience’s energy.

“I don’t think any of us were prepared for how big a role the audience would play,” he says. “It was almost like a game — people were so inside the experience. Partly, that’s due to the visual effects of the movie, which is really quite beautiful and hypnotizing. But having the music performed live also helped.”

No score

Cords says one of the biggest challenges facing the musicians is simply trying to keep up with the action on the screen. Not only does the film race by with the speed of a magic carpet, but the settings range from China to Baghdad, Iraq, to the mythical islands of Wak Wak (home of Peri Banu). Along the way, there are confrontations with evil wizards, battles with fiery demons, and an attack by a giant snake.

The film, created by German animator Lotte Reininger, is also a love story. Smitten by the beautiful Peri Banu, Prince Achmed embarks on a series of increasingly perilous adventures to rescue her. The prince’s efforts are aided by a variety of characters, including a flying horse, a friendly witch and Aladdin himself.

To accommodate all the characters and scene changes, Cords says ensemble members decided to keep things as simple as possible.

One idea was to assign a different instrument to each character, an approach similar to that of Sergei Prokofiev’s popular Peter and the Wolf suite. The big difference, of course, is that most of the Silk Road musicians play non-Western instruments, such as the oud (a lute-like instrument of Middle Eastern origin), the Arabic ney (a reed flute also with roots in the Middle East) and the sheng (a Chinese reed flute that’s similar to the Western pan pipe).

Cords says the musicians also decided not to compose a written score, preferring instead to improvise along with the movie and with each other. He says the result is a lot like the old silent-movie era, when a single organist or pianist would improvise over a few basic musical themes and phrases.

“Basically, we take our cues from the movie and from each other,” Cords says.

A mythic history

The history behind the film is almost as tangled as its storyline. Though Reininger and her husband, Carl Koch, spent nearly three years working on Prince Achmed, German movie theaters refused to show it, mainly because its revolutionary animated-silhouette technique was so new. In response, Reininger and Koch (with help from German playwright Bertolt Brecht) staged their own screening in a rented theater.

In 1945, long after The Adventures of Prince Achmed had become an international success, the original negative was destroyed during the Allied bombing of Berlin. It wasn’t until 1972 that a new copy was pieced together using a duplicate negative discovered in London.

Another restoration effort was launched in the mid-1990s. Since then, The Adventures of Prince Achmed has become a fixture on both the art-house film circuit and on late-night television. A DVD version, accompanied by Wolfgang Zeller’s original 1926 score, is also available.

Still, it’s hard to image a better pairing than Reininger’s magical and often humorous animations and the sounds of the Silk Road musicians. After all, using music to augment and illuminate other art forms has been a key part of the group’s mission since 1998, when it was founded by noted classical cellist Yo Yo Ma. (According to Fried, Ma may attend Thursday’s performance, but only as an observer.)

Thursday’s screening also marks one of the few times this year that Silk Road musicians will perform in Rhode Island. Though the ensemble’s business operations have been based in Providence since 2005, the musicians are globe-trotting nomads. This year, they’re spending most of their time working with the Chicago Symphony and the city’s Art Institute.

At the same time, some Silk Road musicians will be in Providence over the next few days, working with students from the Rhode Island School of Design. As a result, Freid expects a strong RISD turnout on Thursday.

“Get there early,” she says.

The Adventures of Prince Achmed, accompanied by members of the Silk Road Ensemble, will take place Thursday at 7 p.m. at the Avon Cinema, 260 Thayer St., in Providence. Tickets are $15. Call (401) 421-3315 or visit www.avoncinema.com for more information.

bvansicl@projo.com